Friday, April 30, 2010

Oil Spill In Gulf: Women Lead The Clean Up

By Jenna Goudreau, Forbes
April 30, 2010

The devastating oil spill in the Gulf of Mexico has created a massive 100-mile-long slick that today reached the coast of Louisiana. It could be one of the worst disasters in U.S. history, and the leadership in charge of cleaning up BP’s mess is largely female.

Turn to any number of important instances--think about the "No one saw this coming" markets' collapse--and it seems that women are jumping in to mop up the mess. This catastrophe is no exception.

Meanwhile, mega-fuel company BP, responsible for the underwater oil leak, has a team of all-male top executive officers who now have to pay for the clean-up (hundreds of of millions of dollars), face their investors with stock losses of more than 8% (valued at $25 billion), as of Thursday, and somehow respond to the expected $1 billion in claims and costs to the insurance industry. That, and answer for the tragic man-made disaster to the citizens of the Gulf and the world.

President Obama announced that he will use every resource available to control the oil spill, and he has dispatched women leaders like U.S. Homeland Security’s Janet Napolitano; Carol Browner, the assistant to the president for Energy and Climate Change; Dr. Jane Lubchenco, administrator of the National Oceanic and Atmospheric Administration (NOAA); and Environmental Protection Agency (EPA) administrator Lisa Jackson, who has organized aircraft in the area to gather information on air quality.

The spill is one of the largest ecological disasters to date and threatens the many families dependent on the fishing industry in the Gulf. It’s been reported that 5,000 barrels of oil are pouring into the water everyday, and nearly 6,000 National Guard troops have been deployed to reign in the damage. It will take skilled leadership to control the devastation, and the many women in charge seem up to the challenge.

Thursday, April 29, 2010

Assignment: Editorial Essay



We have recently examined female representations in popular advertising, pornography, and hip-hop. And as we've seen, there are a variety of perspectives on what are acceptable and unacceptable ways in which to portray women. Your task is to write an editorial in which you explore the issue of female representation in one of these fields. The specific subject matter (e.g. a controversial ad or video) is up to you so long as it is A) a current issue or B) pertains to female imagery in either advertising, pornography, or hip-hop.

About editorials:

Editorials are opinion-based writings. They should, however, still be fact-based. The goal is not to fill two and a half pages with just your opinion, rather, it is to state an opinion and support it with evidence. Editorials are much like persuasive essays in that the goal is to convince your readers of your point of view. However, editorials give you more leeway to personalize your appeal. In other words, editorials can rely more on emotion (e.g. outrage, humor) to convince readers. This also means it is acceptable to write in the first person. Here, using "I" is an acceptable and effective technique in relaying your thoughts on a topic. Another key difference with persuasive essays is the tone of editorials, which are less rigid, and might even be sarcastic or condemning (keep in mind, however, that a little of these go along way). In persuasive essays, a formal academic tone is ideal. In editorials, the tone is a stylistic choice; you choose the tone that best conveys your point of view. In this way, your voice is perhaps more prominent than in other styles of writing. But whatever approach you take, your editorial must be anchored in facts.

Here are some sample editorials about several current issues:
Requirements:
  • MLA format, including parenthetical citation
  • 2.5-page minimum
The best papers:
  • Focus on a specific issue from either advertising, pornography, or hip-hop
  • Have a concise thesis which clearly outlines a position
  • Clearly support their thesis with solid evidence
  • Have a clear and compelling voice
  • Properly cite evidence using MLA's parenthetical citation method
  • Are in compliance with MLA Style
Due: Monday, May 3rd

In the Tech World, Porn Quietly Leads the Way



By Doug Gross, CNN
April 23, 2010

(CNN) -- It was just days after the release of the iPad -- Apple's slate computer heralded as a tool for gaming, book and magazine reading and Web consumption -- when the announcement arrived.

One of the world's biggest porn companies claimed it had created a way to stream its videos onto the device, skipping the Apple store and its restrictions on salacious content.

The announcement illustrates a widely acknowledged but seldom-spoken truth of the technology world: Whenever there's a new content platform, the adult-entertainment industry is one of the first to adopt it -- if they didn't help create it in the first place.

"It's not necessarily that the porn industry comes up with the ideas, but there's a huge difference in any technology between the idea and the successful application," said Jonathan Coopersmith, a professor at Texas A&M University who teaches the history of technology.

"They're kind of the shock troops, and one of the nice things for them is that they can claim, 'Hey, I'm advancing technology.' "

While the shadowy nature of the adult-entertainment industry makes exact figures hard to nail down, it's generally acknowledged that porn was the first product to make money on the Internet and still rakes in upward of $1 billion annually online.

[Although porn, like many industries, has felt the pinch of the last couple year's recession, leading Hustler's Larry Flynt and others to jokingly ask for a federal bailout].

From the printing press to instant cameras, from pay-per-view to VCRs, pornographers -- both professional and private -- have been among the quickest to jump on board with newly developed gadgets.

The first public screening of a movie was in 1895. Less than two years later, Coopersmith notes, the first "adult" film was released.

"The classic example is the VCR," said Oliver Marc Hartwich, an economist and senior fellow with Centre for Independent Studies, a conservative Australian think tank. "When it was introduced, Hollywood was nervous because the big studios feared piracy. They were even considering suing the VCR producers.

"Not so the adult industry. They saw it as a big new market and seized the opportunity."

On the internet, streaming video, credit-card verification sites, Web referral rings and video technology like Flash all can be traced back to innovations designed to share, and sell, adult content.

iReport: Porn and the economy

Experts attribute much of the success of AOL, the social networking forbearer of sites like Facebook and Twitter, to its private chat rooms -- and anyone who remembers scanning the user-created chats remembers the adults-only nature of many of them.

Websites that require memberships, encryption coding, speedier file-sharing technology -- all can trace their roots back to the adult industry.

These days, in addition to the race for the iPad screen, at least a couple of porn flicks are in production using burgeoning 3-D technology. While Hollywood has scored with a few blockbusters, 3-D tech for the television is still in its infancy -- and porn, as always, is right there to capitalize.

"Just imagine that you'll be watching it as if you were sitting beside the bed," Hong Kong-based producer Stephen Shiu Jr. said of his movie, "3D Zen and Sex," which is set to begin filming this month with a budget of nearly $4 million. "There will be many close-ups. It will look as if the actresses are only a few centimeters from the audience."

For adult-entertainment companies, staying on the cutting edge of technology can be necessary to survive.

Ilan Bunimovitz is the CEO of Private Media Group, the company that announced the iPad porn offering, which uses cloud computing to store a customer's videos.

In effect, he's saying it's like an iTunes for porn -- an online service that lets users buy and access a personal collection of adult videos via their iPads. Of course, the slate computer's browser can already be used to surf the internet for adult content.

He said his company, with its 25-member technology department, began working on ways to take advantage of theiPad the day it was announced in January. By the time Apple released the device in early April, the system was ready, he said.

"Every step of the way, when there's a new technology, we explore it," said Bunimovitz. "In the adult business, many times the traditional venues are not available to us, so we have to be innovative to get our content to the consumer.

"With adult content, you need to create your own solutions."

Porn companies can capitalize on the latest technological advances because of their deep pockets and the relative certainty that their investments will be returned by customers willing to pony up for their product, experts say.

"People are willing to pay a premium for pornography," said Coopersmith, the Texas A&M professor. "You see this with movies, with VCRs -- which is when it first really became noticeable. DVDs, computer games, cable TV -- if you look at the price of those [adult] products, they're higher profit margins for the vendors."

That fact creates a conundrum for product developers. Often, any new product's pornographic potential remains a dirty little secret -- privately discussed by the manufacturer but left unspoken in public.

One of Coopersmith's favorite examples is the early days of instant cameras. Manufacturers were fully aware how many customers would use a camera that didn't require you to go to the local pharmacist to have your film developed, he said.

One of the earliest was Polaroid's provocatively named camera, "The Swinger" -- ostensibly so-called because of a strap that let it dangle from the user's wrist.

In a television ad, a young man uses it to photograph a bevy of gyrating, bikini-clad models before eventually picking one to walk off into the sunset -- with only the camera between them.

"One of the silent slogans of the porn-tech world is 'Don't ask. Don't tell. Do sell," Coopersmith said. "You don't want to be public, but you've got your own private corporate plans."

"As for the future, Bunimovitz says he doesn't expect his industry to back away from the cutting edge of technology. He's currently intrigued with the potential of artificial intelligence, which he said one day might simulate a live porn star who could "interact" with the user.

"There's always something new," he said. "At any point in time, we'll be working on new initiatives. Some of them will flop and some of them will be big -- but there's always something in the works."

Wednesday, April 28, 2010

Nike’s Women Problem

By Timothy Egan, The New York Times
April 21, 2010

Is there anything creepier than a big, beer-breathed celebrity athlete exposing himself in a night club and hitting on underage girls, all the while protected by an entourage of off-duty cops? Well, yes. It’s the big, corporate sponsor — Nike, in this case — that continues trying to sell product with the creep as their role model.

You have to go a long way to find anything as disgusting as a night on the town with Pittsburgh Steelers quarterback Ben Roethlisberger, as described in a 572-page Georgia police report of a sexual assault accusation against him last month.

After hours of drinking and carousing, the six-foot-five-inch football player followed an intoxicated 20-year-old student into a club’s bathroom and forced her to have sex, the woman told police. When her friend appealed for help, she was ignored by the bodyguards, the report indicated.

Prosecutors said they would not file charges against the quarterback — in part because of sloppy police work by officers who fawned over the athlete — but they castigated his behavior. This was the second time in less than a year that Roethlisberger has been accused of sexual assault. Last year, a woman claimed in a civil suit that Roethlisberger raped her in a hotel room in Lake Tahoe, an allegation he denies. The Georgia report also mentioned a third woman who said a drunken Roethlisberger accosted her repeatedly on two occasions.

If this guy didn’t have a pair of Super Bowl Rings and a $102 million contract to entertain us on Sundays, most people would see him for what he is: a thug with a predatory sense of entitlement.

On Wednesday, the NFL suspended him for six games and ordered him to “comprehensive behavioral counseling.” The Pittsburgh Post-Gazette, which has a done an admirable job of bringing the tawdry details to a troubled Steeler Nation, has editorialized about the “sting of betrayal” that fans feel, so much so that he may even be traded imminently. Even a local sponsor, the maker of Big Ben’s Beef Jerky, has dropped him, citing his recent behavior.

But Nike, the shoe-maker to the world, the biggest brand in the endorsement game, is standing by Roethlisberger — at least for the moment — just as they continue to back Tiger Woods after his serial infidelities.

For Nike, Roethlisberger has been used in commercials to sell the aptly named “Marauder” cleats. The company did not return my phone calls for comment, but in an e-mail earlier they said, “Ben continues to be part of the Nike roster of athletes.”

Really? Ben Roethlisberger, a man most parents would not let near their daughter, let alone their community center, is a fit representative for one of the premier American corporations.

What, exactly does it take for Nike to dump a jock? Dog-fighting will do it. After Atlanta Falcons quarterback Michael Vick pleaded guilty to running a felony dog-fighting ring, Nike took action. “We consider any cruelty to animals inhumane and unacceptable,” the company said at the time.

But cruelty to women is O.K. I don’t know how else to read the company’s inconsistent stand. Here is a guy who treats women like garbage, yet a company that boasts of having humane corporate values uses him as their front man. Ditto Tiger Woods. Same with Kobe Bryant after a rape allegation, a case that was later dropped.

I’m sure Roethlisberger can live without his beef jerky contract or the praise of the hometown newspaper. But if you took away his swoosh, that would sting. Throughout the sporting world, and in many schools, the real pariah is the lone athlete not carrying Nike’s water.

Besides, what’s the point of having someone like Roethlisberger wearing a company logo in public? Do people really decide to buy shoes because a brute who spends his nights drunkenly pawing at women, and worse, lent his name to them?

Our culture puts a premium on athletic performance, and very little on off-field character. So it is. And “corporate ethics,” of course, is one of those oxymorons that should be explained to fresh-faced business students. Kids: in American capitalism, we reward Wall Street failure and Back Street sexual assault.

Perhaps a certain creepy cred does help move product. Sales of Nike’s golf line have remained consistent in the months since Tiger Woods was found to be a nightmare husband.

But I’ve come to expect more of Nike with regard to women. I’ve met women runners and soccer players who are at the top of their game, world-class athletes, who have been ignored by all but Nike. At the company headquarters in Oregon, Nike helps obscure female athletes train and find a community of equally motivated women.

That’s one message from Nike. The other is: It’s O.K. for a buffoon of a man to disrespect women, so long as he continues to throw a football well.

Sunday, April 25, 2010

Week 14



I love him so much it just turns to hate.


—Courtney Love, "Doll Parts"

Week 14
M 4.26
READ: CL—“Sexy Rap Videos Suspected to be Damaging to Young Girls” from Reuters, “What Hip-Hop Has Done to Black Women” by Johnnetta B. Cole, “Hip-hop's Socially Conscious Side” by Jeff Chang and Dave Zirin; eR—“Sexism, Hip- Hop and Misogyny” from Talk of the Nation

W 4.28
IN-CLASS: Writers workshop, Presentations (Sec. 67: Allan T.,Cristina J. Trixie B.;Sec. 69: Peter B., Kathleene E.)
DUE: Bring in four copies of the first five pages of your research paper

UPCOMING:

Week 15
M 5.3
IN-CLASS: Presentations (Sec. 67: Anand R., Justin N. Maninder B., Ricardo D.; Sec: 69: Melissa A., Kourtney B., Linda C., Emily F.)
DUE: Editorial essay

W 5.5
NO CLASS—Furlough Day (This class only)
DUE: Journal 6 (Must be emailed by 7 PM for credit)

Week 16
M 5.10
IN-CLASS: Final Exam Prep; Writers workshop; Presentations: Zack A., Andrew D., Yuna K.; Sec. 69: Colleen C.; Christina G.; Viviana R.)
DUE: Bring in three copies of the first eight pages of your research paper

W 5.12
IN-CLASS: Presentations (Sec. 67: Nathalie A., Jonathan C., Jefferson B.; Sec. 69: Ian T., Stephanie G., Rachel G., Jeffrey N.)
DUE: Expository essay extra-credit

S 5.15
FINAL EXAM: Time and location TBA (Bring a yellow book)


Week 17
M 5.17
IN-CLASS: Course review, Presentations (Sec. 67: Katie A., Eric A., Sharon S., David K., Ryan A.; Sec. 69: Anthony L., Dante N., Justin L., Kate E., Evan C.)
DUE: Research Paper